by Michael Pronko ‧ RELEASE DATE: Sept. 30, 2018
A tight, rock-solid installment in a series that’s only getting better.
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Pronko’s (The Last Train, 2017, etc.) Tokyo-based thriller follows a detective’s search for a manuscript so valuable some will kill for it.
Hiroshi Shimizu’s injury from a previous case is the perfect excuse for the detective to work white-collar crimes from a computer. But Sakaguchi, Tokyo’s head of homicide, needs his English-speaking adeptness, courtesy of Hiroshi’s having studied in Boston. On a bisected body, a medical examiner has found a flash drive that contains images of woodblock prints and corresponding notes in English. It doesn’t seem like much until detectives learn the only specialist who could find the physical prints has just died—American diplomat Bernard Mattson, murdered by burglars at his home. As Hiroshi and others investigate, it’s soon clear someone is after Mattson’s manuscript. But what exactly is in the manuscript is the biggest mystery: The diplomat is linked to myriad sensitive issues, from U.S. military bases in Japan to the Status of Forces Agreement with America. Hiroshi is also keeping an eye on Jamie, Mattson’s Japanese-American daughter from New York, who’s in Tokyo for her father’s funeral. She may be a target; whoever wants the manuscript will likely assume she knows its location. Pronko’s thriller elegantly depicts Japanese customs within an American-style hard-boiled procedural. For example, lovingly detailed sushi preparation contrasts with the police station, a site of whiteboard scrawls, corkboards covered in notes, and piles of folders next to out-of-date computers. The concise mystery runs at full tilt with characters that focus assiduously on the investigation. Accordingly, welcome humor is plot-relevant: Detectives at crime scenes alternate heading off the assistant chief, who’s more annoying than helpful. Hiroshi, in his second appearance (along with fellow detectives), is a winsome but unassuming protagonist. Though he’d rather be at his computer, he faces a blade-wielding killer with confidence and relatively few complaints.
A tight, rock-solid installment in a series that’s only getting better.Pub Date: Sept. 30, 2018
ISBN: 978-1-942410-16-4
Page Count: 320
Publisher: Raked Gravel Press
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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