Older kids will slurp this up.
Horror-master Reaves (Voodoo Child, 1998, etc.) jump-starts his narrative with a socko opener no later developments quite match.
In that devastating first scene, a 14-year-old Alabama girl, pregnant by her father, gives birth to—well, a great Rough Beast. In Greenwich Village, wealthy Rumanian orphan Colin finds that an intruder has opened his apartment’s secret wall and stolen the sorcerers’ three-part Trine. Found wandering the ruins of Vlad Tepes’s palace, Colin was taken in by the Scholomance and raised in Shadowdance. But it is the angel Zoel, whose solid silver eyes enrapture him, who enlists herself to help him recover the lost three psychic articles. Using a door that opens into space on the back of his apartment, the two “apport” to Paris, where they find one article, the Book, in the catacombs. The apportation door works only one-way, but Colin declines Zoel’s offer to fix it as a two-way portal. Meanwhile, back in the States, the novel divides into three other plotlines. One involves a serial killer known as Maneater (yes, a man-demon and Hannibal Lecter rip-off) who wakes from a lethal dose in the execution chamber and winks at reporter Liz Russell, vowing to chew into her at a later date. We’re also treated to the brain-dead rock group Lycanthropus, whose perversely scatological albums include “Suck Me Down To Hell” and “Hell on Earth.” Can the end of days be at hand? The Devil thinks so and, now reborn, has set the Apocalypse in motion. Once Colin recovers the Book, then the Stone, he must find the Flame at a hellish Las Vegas amusement park that features an underground roller coaster, The Balefire Express, a tour through hell itself in which the demon Pazuzu tells Colin, “I rather liked the way I was portrayed in The Exorcist.”
Older kids will slurp this up.Pub Date: May 1, 2001
ISBN: 0-345-42335-6
Page Count: 288
Publisher: Del Rey/Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2001
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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