Though it’s not groundbreaking, this book is bound to please beginning readers with automotive fixations and patience for no...
Fishes of the sea, birds of the air, and critters of the land unite around a single belief: Their cars rock!
Even struggling readers will be challenged to find anything at all difficult in this latest entry in the I Like to Read series. It certainly won’t be the writing, as all pages contain only the words “I like my…car,” the sole textual variation being the color of each vehicle and a single “too.” Nor will they tussle with the plot, such as it is. As readers watch, a series of jaunty animals, each tucked snug behind the wheel of their conveyances (the sole exception being the chauffeured poodle in a limo), declares their fondness for their autos. Saving the book from utter innocuousness is its 1950s-vibed art. The endpapers sport such snazzy accoutrements as fuzzy dice; the style of each car is apt and distinctive; subtle in-jokes (a turtle applies a coat of wax; a pine-shaped air freshener dangles from the shark’s rearview mirror) abound. With each detail, Robertson’s mix of digital and physical art (including an etching press, water-based printing inks, and an onion bag) pays off. As they should, these drivers revel in their cars’ flashy, colorful looks, and they are set against some seriously mod backdrops.
Though it’s not groundbreaking, this book is bound to please beginning readers with automotive fixations and patience for no more than six words to a page. (Picture book/early reader. 3-6)Pub Date: Oct. 23, 2018
ISBN: 978-0-8234-3951-5
Page Count: 32
Publisher: Holiday House
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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