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A GREAT BIG CUDDLE

POEMS FOR THE VERY YOUNG

Despite (or perhaps because of) the odd bits, this book successfully celebrates the private, gleeful, imaginative world of...

Short poems and accompanying illustrations make up this word-format poetry anthology for little ones.

Thirty-five poems run the gamut from high-spirited wordplay for very young listeners (“Kippy-cuppy / Kippy-cuppy / Cup, cup, cup”) to relatively more complex ideas (“I’m a very, very, very slow train / And I’m very, very late again”). Some poems validate the strong emotions all children feel at some time, such as “I Don’t Want,” “I Am Hungry,” and “I Am Angry,” while others nestle into their private worlds: “You fell off the table / And landed on your head. / I picked you up / And put you to bed,” with the accompanying illustration showing a teddy bear tucked into bed. Riddell’s fluid watercolor-and-pencil illustrations bring a grace to each poem, no matter what its subject, and he depicts many ethnicities of children (in addition to animals and nonscary monsters). The text changes size and color with each page and often within the poem itself, a fine detail in this well-designed book. Some poems are strange (“Why did the man bend down low? / Why did the man eat some snow?”), reflecting the bemusement very small children feel at the doings of adults. The poem titled “Don’t Squash” shows an elephant who’s just stepped on something that may be a jelly doughnut, but the red ooze it splatters may provoke more than a few questions.

Despite (or perhaps because of) the odd bits, this book successfully celebrates the private, gleeful, imaginative world of toddlers. (Picture book/poetry. 1-5)

Pub Date: Sept. 22, 2015

ISBN: 978-0-7636-8116-6

Page Count: 80

Publisher: Candlewick

Review Posted Online: July 26, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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THE ITSY BITSY BUNNY

Leave the hopping to Peter Cottontail and sing the original song instead.

An Easter-themed board-book parody of the traditional nursery rhyme.

Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.

Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)

Pub Date: Jan. 5, 2016

ISBN: 978-1-4814-5621-0

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: July 1, 2016

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THE ITSY BITSY DUCKLING

From the Itsy Bitsy series

Toddlers are better served by a chorus of the original, accompanied by the finger motions

Yet another remake of the classic fingerplay.

Burton and Rescek need to find a new song to parody or, better yet, come up with something original. As in earlier remakes—The Itsy Bitsy Pilgrim, The Istsy Bitsy Bunny, The Itsy Bitsy Reindeer (all 2016), and The Itsy Bitsy Snowman (2015)—the words are meant to be sung to the tune of the favorite nursery rhyme. In this outing, the rhymes work, but the meter is clunky. Rescek’s characters are cheery enough as they celebrate the transition from winter to spring. The question is why ducklings should replace spiders. “Down came the rain and chased the snow away” is simply not as satisfying as “washed the spider out.” The elements of danger, pluck, and mastery inherent in the original song are missing, as are the actions. A scene of anthropomorphic animals of different species sharing a den confuses rather than enlightens. There is no clear change from winter to spring; the color palette throughout is bright and springlike, and the duckling is about as realistic as an Easter Peep. Sturdy board pages may stand up to lots of handling, but young children are unlikely to ask for it more than once.

Toddlers are better served by a chorus of the original, accompanied by the finger motions . (Board book. 1-3)

Pub Date: Jan. 17, 2017

ISBN: 978-1-4814-8655-2

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: July 1, 2017

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