Engaging for both the curious and the ardent fan.
This biography of visionary pioneer Will Eisner (1917–2005) also includes a compact history of the progression from comic books to graphic novels.
Though Eisner’s 1940s hero, The Spirit, never achieved as much subsequent mainstream cultural currency as Superman or Batman, no comics artist has been more influential or prophetic. Even before the great comics scare of the ’50s, during which the medium was widely condemned as a corrupting influence on the nation’s youth, Eisner proclaimed his intentions: “Comics—sequential art—is my medium. I regard it as much my singular medium as a writer who writes only words or the motion-picture man who writes only in movies…it has perimeters and it has parameters; it has grammar; it has distinct rules; it has limitations; and it has possibilities which have not really been touched.” Eisner lived to not only see his manifesto fulfilled by a new generation of “underground” artists, but he was inspired by their popularity to create the most conceptually ambitious work of his career, following a hiatus of a couple of decades. Schumacher (Wreck of the Carl D.: A True Story of Loss, Survival, and Rescue at Sea, 2008, etc.) draws heavily from other sources for a competent detailing of his emergence into the profession, yet the book really comes alive when it advances to his artistic resurrection, through interviews with many of those inspired by Eisner and critical commentary that demonstrates Schumacher’s intense passion for, and deep knowledge of, his subject. “His work was his therapy,” writes the author of the death of Eisner’s teenage daughter, “and later, when the time was right, he would creatively combine his work and grief into a sequential art form that would help change the direction of comics.”
Engaging for both the curious and the ardent fan.Pub Date: Nov. 9, 2010
ISBN: 978-1-60819-013-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: July 12, 2010
Kirkus Reviews Issue: Aug. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
