Broad spaces, small figures, precise architectural details and clean, straight lines gives Brannen’s art in this alphabetical gallery of housing an elegant simplicity that Shoulders’s matter-of-fact commentary struggles to emulate: “A is for apartment. All homes in an apartment building share the same roof. Families who live in apartments might have neighbors living beside them, below them and above them….” From Beach House and Cajun Cottage to Mobile Homes and Pueblos, from a Junk House built from recycled materials to the stately White House, the author draws them all together with the closing observation that, whatever a home’s nature, “what makes it special are the people you share it with.” The device works well for the most part, encompassing Kilbourne (a Sears, Roebuck kit), Quonset Hut and Xinfang (Chinese for “brand new home”), although Unique Home is a decidedly limp entry. Despite the uneven text, consider this as a low-key alternative to the likes of Ann Morris’s Houses and Homes (1992) or, going further back, Mary Ann Hoberman’s A House Is a House for Me (1978). (Informational picture book. 6-8)
Pub Date: July 1, 2008
ISBN: 978-1-57091-565-9
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2008
Scotton makes a stylish debut with this tale of a sleepless sheep—depicted as a blocky, pop-eyed, very soft-looking woolly with a skinny striped nightcap of unusual length—trying everything, from stripping down to his spotted shorts to counting all six hundred million billion and ten stars, twice, in an effort to doze off. Not even counting sheep . . . well, actually, that does work, once he counts himself. Dawn finds him tucked beneath a rather-too-small quilt while the rest of his flock rises to bathe, brush and riffle through the Daily Bleat. Russell doesn’t have quite the big personality of Ian Falconer’s Olivia, but more sophisticated fans of the precocious piglet will find in this art the same sort of daffy urbanity. Quite a contrast to the usual run of ovine-driven snoozers, like Phyllis Root’s Ten Sleepy Sheep, illustrated by Susan Gaber (2004). (Picture book. 6-8)
Pub Date: April 1, 2005
ISBN: 0-06-059848-4
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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