by Michael Slack ; illustrated by Michael Slack ‧ RELEASE DATE: April 25, 2017
Understandable, if not exactly model, behavior makes for a funny, sympathetic read.
Shorty suffers an overwhelming ethical dilemma when a mysterious package arrives for the temporarily absent Clem.
The two make unusual companions, as Clem is an owlish bird and Shorty, a big, green dinosaur. Their personalities are equally divergent. No sooner has the bird stepped out with an “I’ll be back!” than a box addressed to Clem appears. “I will not open Clem’s package,” says Shorty virtuously. But that doesn’t mean that the box itself can’t be ridden (maybe there’s a race car inside!), jumped on (a trampoline?), and vigorously pounded (bongos, maybe?). Eventually the increasingly battered carton surrenders its contents—a pair of pink monkey slippers. “I opened Clem’s package,” Shorty wails. “He is going to be so mad.” Instead, after a show of annoyance, Clem hoots, “Happy Birthday!” After a page turn, he continues, “I knew you would open the package. I know how much you love monkeys.” Slack renders both roomies and the simple speech-balloon dialogue (the book’s sole text aside from sound effects and the address on Clem’s package) with blocky minimalism, comically contrasting Clem’s steady, grave air with Shorty’s exaggerated gestures and broad emotions. The grateful green one’s “Not as much as I love you” brings this high-energy romp to a cozy close.
Understandable, if not exactly model, behavior makes for a funny, sympathetic read. (Picture book. 4-7)Pub Date: April 25, 2017
ISBN: 978-0-06-242158-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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