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LINCOLN'S PEACE

THE STRUGGLE TO END THE AMERICAN CIVIL WAR

A brilliant work and a vital contribution to the canon.

A bold book challenges what we think we know about how and when the Civil War really ended.

Anyone who has paid remote attention in a civics class knows that the amicable April 9, 1865, meeting between Ulysses S. Grant and Robert E. Lee at Appomattox ended the American Civil War. Not so, argues distinguished Brown University historian Vorenberg, who refreshingly admits his own culpability in perpetuating the myth that Appomattox concluded the Civil War and examines in this fascinating book when exactly—or whether—the just peace that Abraham Lincoln desired came about. Vorenberg does not merely analyze Lincoln’s attempts to forge and outline peace and examine the many candidates for the military and legal “last” battles of war that were fought well after Lincoln’s assassination, deep into the disastrous presidency of Andrew Johnson and beyond. He reevaluates the concept of founding myths such as the fixed end of the Civil War emblematic in George P.A. Healy’s painting The Peacemakers (1868), which is on the book’s cover. “The painting shows storm clouds giving way to sunshine,” Vorenberg writes. “Nothing in the painting suggests the reality of months of warring that followed the historic meeting.” The author contends that casting a critical eye on such founding myths is an important aspect of rethinking the notion of American exceptionalism. Along this line, the book concludes with a thought-provoking comparison to the U.S. withdrawal from Afghanistan. Vorenberg exhibits scholarship of the first order. The history is vividly written and thoroughly researched. His reasoned questioning, skepticism, and analysis of accepted tropes and conclusions about the Civil War will prove meaningful to those who study the philosophy and psychology of war, peace, and American culture and identity.

A brilliant work and a vital contribution to the canon.

Pub Date: March 18, 2025

ISBN: 9781524733179

Page Count: 480

Publisher: Knopf

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: today

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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