An exemplary, inviting exploration and an inspiration for cooks and genealogists alike.
Food historian Twitty, creator of the Afroculinaria blog, serves up a splendid hearth-based history, at once personal and universal, of the African-American experience.
The author accounts himself a citizen of the Old South, “a place where people use food to tell themselves who they are.” It is also, he continues, a fraught place where food controversies—whether to put sugar and not molasses in cornbread, say—pile atop controversies of history, all pointing to the terrible fact of slavery. Twitty’s book is not just about food, though it certainly covers the broad expanse of African-American cooking over the centuries and how it shaped the larger Southern American culinary tradition. The author delights in the “world of edible antiques” that his researches take him into, a world requiring him to think in terms of gills, drams, and pecks. Twitty also traces his own family history, beyond the eight or so generations that carry documents, to places all over the world: a white ancestor here, an Indonesian by way of Madagascar forebear there, Native Americans and West Africans and Anglos meeting in bloodstreams and at table. On all these matters, the author writes with elegant urgency, moving swiftly from topic to topic: on one page, he may write of the tobacco economy of the Confederacy, on another of the ways in which “the food of the Chesapeake grew legs as the culture of the Upper South was forced to branch out” beyond the Appalachians and Mississippi into new territories, such that “turkey with oyster dressing on a Maryland plantation became turkey with freshwater clam and mussel sauce on a slaveholding Missouri farmstead.” Drawing on a wealth of documentary digging, personal interviews, and plenty of time in the kitchen, Twitty ably joins past and present, puzzling out culinary mysteries along the way—e.g., “chickens got served to preachers because chickens had always flounced in the hands of African priests, and nobody remembered why.”
An exemplary, inviting exploration and an inspiration for cooks and genealogists alike.Pub Date: Aug. 1, 2017
ISBN: 978-0-06-237929-0
Page Count: 464
Publisher: Amistad/HarperCollins
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
PROFILES
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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