Moving Mother’s Day reading for the fearless and brave—though some readers may want to have their therapist on speed-dial.
Fifteen essayists—many luminaries—write unflinchingly about their mothers.
From the first page of the introduction, where editor Filgate—an MFA student at NYU and contributing editor at Literary Hub—names cooking as a way of staying connected to the mother she doesn’t talk to very often, this collection is honest and riveting. Kiese Laymon writes about the difference between loving someone and loving how that someone makes you feel, while Carmen Maria Machado explores how her feelings about the mother from whom she’s estranged shape her thoughts about having, or not having, children herself. In her sharp contribution, Lynn Steger Strong considers what she cannot find a way to say about the anger she feels toward her mother. Julianna Baggott describes being her mother’s “confessor.” André Aciman’s ruminations about his mother’s deafness also serve as odes to language and bodies and communication. Brandon Taylor illuminates the experience of cancer and examines his lack of empathy for his mother, and Leslie Jamison rounds out the collection with a loving piece in which she attempts to “project my admiration back through time to reassure the woman my mom had been, that woman who felt only that she had somehow failed the man who loved her first—that women who did not know, could not have known, the road ahead.” Most of the essays are pointedly literary and lyrical; many include meta-reflections on the nature of truth-telling, and the narrators show themselves thinking and rethinking the claims they hazard and then revise about their mothers. For the most part, the collection avoids cliché and sentimentality; equally remarkable, each one of these intimate and gut-wrenching essays reaches beyond itself to forge connections with readers. Other contributors include Alexander Chee, Melissa Febos, and Sari Botton.
Moving Mother’s Day reading for the fearless and brave—though some readers may want to have their therapist on speed-dial.Pub Date: April 30, 2019
ISBN: 978-1-982107-34-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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