“There’s things you’ve seen and things you may not have, but there ain’t nothing that’s impossible, sugar,” says a village...
Nashville, who has qualities both human and birdlike, feels compelled to follow his avian destiny.
The storytelling is folksy, poetic and seductive, beginning, “Nashville and his family lived in a house perched in the branches of the largest pecan tree in the village of Goosepimple.” Little by little, readers learn how Nashville, unlike his adoring younger sister, Junebug, was hatched from an egg. He has a beak and feathers but, alas, no wings. Morstad’s illustrations support the funnier details, including the dinner-table “perch swings” that Nashville’s mother has installed “to make Nashville more comfortable” as he eats his seeds while his family eats typical human fare. The deadpan humor of Flat Stanley is invoked when Nashville’s parents take him for his annual physical examination—at the veterinarian’s office. In added playfulness, said vet is Dr. Larkin; the village teacher is Miss Starling. This allegory of growing up and finding one’s figurative wings is told sweetly and without great angst, despite inclusions of such subjects as school bullying and Nashville’s empathetic but highly illegal pet-store shenanigans. Yet there is an underlying melancholy throughout, somewhat mitigated by the possibility of future communications from the appealing bird-boy.
“There’s things you’ve seen and things you may not have, but there ain’t nothing that’s impossible, sugar,” says a village widow; readers will end the book with a new sense of possible. (Magical realism. 8-11)Pub Date: Oct. 2, 2014
ISBN: 978-0-8037-3867-6
Page Count: 160
Publisher: Dial Books
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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