by Michelle Duster ‧ RELEASE DATE: Jan. 26, 2021
A brisk recounting of Black activism, past and present.
A warm remembrance of a civil rights icon.
A great granddaughter of Ida B. Wells (1862-1931), Duster celebrates the life and legacy of the tireless activist, once named “one of the most dangerous Negro agitators” by the FBI. Wells, along with her husband, a lawyer and journalist, spoke out vociferously against injustice, lynching, inequality, and racism both in print (she was a newspaper publisher and editor as well as an investigative journalist) and in speeches throughout the country. She defied death threats and efforts to sully her reputation. When she protested inequality in the school system where she taught, she was fired. When she was ejected from the Whites-only “ladies’ car” of the Chesapeake and Ohio Railroad, she sued the railroad and won only to see her victory overturned by the Tennessee Supreme Court. Wells also helped to found several significant organizations: the first all-Black suffrage club in Illinois, the Negro Fellowship League, and the NAACP. Among her widely read books was The East St. Louis Massacre: The Greatest Outrage of the Century (1917), which chronicled “the horrific slaughter of an entire Black community” and, Duster notes, “outlined oft-overlooked tensions that existed in the American North, where the first waves of the Great Migration tested the Union states’ full belief in their cause.” Wells boldly confronted presidents, pressing William McKinley to enact a federal anti-lynching law and Woodrow Wilson to support advancement for African Americans. Both efforts failed, but Wells was undaunted. “My great-grandmother’s life was not easy,” writes the author, but despite frustrations, “she stayed focused on truth-telling. She believed that her voice was important and her story needed to be heard.” In a narrative featuring generous photos and illustrations as well as reproductions of historic documents, Duster succinctly traces Wells’ legacy in the voices and efforts of many contemporary Black activists who “stand tall and let their voices be heard by those in power.”
A brisk recounting of Black activism, past and present.Pub Date: Jan. 26, 2021
ISBN: 978-1-982129-82-8
Page Count: 176
Publisher: One Signal/Atria
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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by Michelle Duster ; illustrated by Laura Freeman
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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37
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Kamala Harris ; illustrated by Mechal Renee Roe
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