A deeply satisfying novel; Huneven’s best work to date.
After a tragedy, the fortunes of a California family unfold in unexpected ways.
It’s the mid-1970s when the curtain rises on architect Phil Samuelson, his schoolteacher wife, Sibyl, and their three children, Ellis, Katie, and Sally. Ellis, who will turn 18 that summer before college, heads off with a couple of friends for a week-long road trip but does not return on schedule, sending his parents only a few brief letters assuring them that he’s fine and begging them not to track him down. As it turns out, Ellis dies so early in the book it seems no spoiler to say it, and his death will be quickly followed by another shock: He left behind a pregnant girlfriend. With a structure reminiscent of Ann Patchett’s Commonwealth (2016), Huneven moves among her characters and over the next four decades to set up and spring all the surprises she has in store, occasionally leaving California to trace developments in spots as far-flung as Saudi Arabia and Oaxaca, and eventually requiring the services of 23andMe and the legalization of same-sex marriage to make all the many pieces fall into place. As someone aptly describes the central couple, “Oh, Phil’s lovely. His wife, though, is a prickly thing. But isn’t that always the case: the easygoing marry the prickles because who else would have them?” Yes, Phil is easier to love than Sibyl, and daughter Sally is quite a bit more appealing than her older sister, Katie, but Huneven is good at unlikable characters, making them fully three-dimensional while stopping far short of sappy redemption. Another of her signature elements, alcoholism, is in the mix as well, appearing via a deep green tumbler of “Hawaiian Punch” clutched in the hand of a major character and two cases of beer drunk daily by a pair of minor ones, retired civil servants and would-be swingers who run a donut shop in the middle of nowhere. Gotta love that.
A deeply satisfying novel; Huneven’s best work to date.Pub Date: June 17, 2025
ISBN: 9780593834879
Page Count: 288
Publisher: Penguin Press
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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