LUIGI, THE SPIDER WHO WANTED TO BE A KITTEN

After a spider is mistaken for a kitten, he attempts to keep up the ruse.

“A big, hairy spider” moves into an old house sure to contain appropriately dark nooks. He weaves a web under a sofa, but homeowner Betty finds him, decides he’s an adorable kitten, and names him Luigi. As Betty plays with the spider and prepares a special bed for him, he warms to the idea of being Luigi the kitten; kittens seem to lead “magical lives.” He starts fearing that Betty will realize her mistake and banish him, so he does his best to be as felinelike as possible. But when the secret’s revealed, Betty reassures Luigi that she knew he was a spider all along and thought he was only having “fun pretending to be a kitten,” and the pair live companionably ever after. While the sentiment—find someone who will “like you for who you really are”—is timeless, the complicated charade, where each character pretends for the other, is convoluted, and the message is somewhat hidden within the protracted text. Perhaps the most polarizing factor will be Luigi himself. Hawkes has made the spider look really, well, spidery. There’s whimsy when Luigi is mimicking a kitten, but his lightly anthropomorphized form is going to be too creepily arachnid for some. The muted, dusty colors in acrylics and pencil don’t provide much warmth, though they do add spidery ambience. Betty presents white.

A good-hearted, if slightly unsettling, tale of unlikely pals.