Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A reluctant princess is thrust into deadly political intrigue in Perry’s sweeping, high-stakes romantasy.

Odessa is the overlooked and underestimated princess of Quentis, whose life takes an unexpected turn when a deal is struck between her father and the formidable Turan warriors force her into an arranged marriage with their enigmatic prince, Zavier Wolfe. Intended as a mere formality to secure trade routes and military alliances, the betrothal spirals into something far more dangerous when ancient magic, a ruthless Guardian, and a looming war threaten to upend everything she knows. Finally emerging from the shadow of her seemingly perfect half sister, Mae, Odessa must navigate court politics, monstrous creatures, and her own uncertain place in a world where survival often depends on strategy rather than strength. As tensions rise, she finds herself entangled with the dangerous, enigmatic Guardian—a man whose silver eyes hold secrets of their own. Perry’s worldbuilding is lush and immersive, crafting a kingdom rife with old magic, deadly beasts, and political machinations that add depth. The pacing is relentless, carrying Odessa from one life-altering event to another as she grapples with duty, defiance, and a destiny she never chose. Her internal conflict is compelling, torn between the expectations placed upon her and the fierce independence that threatens to make her an outcast in her own kingdom. Romance simmers as Odessa struggles to reconcile her obligations with her growing attraction to the Guardian, whose past is as shadowed as his reputation. Mae is introduced as Odessa’s political foil, and although her presence drives much of Odessa’s internal drama—being constantly overshadowed or underestimated—she’s mostly seen through Odessa’s perspective. Her motivations, ambitions, and political maneuverings might have benefited from deeper exploration to give more nuance to the power dynamics. However, Perry’s evocative prose and intricate plotting make for a gripping tale. Readers looking for a slow-burn romantasy with rich political intrigue and a protagonist forced to create her own fate will find much to enjoy.