by Michelle Olson illustrated by Michelle Olson photographed by Brian Kester ‧ RELEASE DATE: Sept. 1, 2018
A funny, pun-heavy title about finding your purpose by embracing your talents.
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An errant button searches for a new purpose in life in this clever kids’ book from debut author/illustrator Olson and photographer Kester.
Olson chronicles the adventures of Norman, a red button with huge, illustrated eyes and copper-wire limbs. After Norman is pulled from a coat, he considers new jobs he might hold—a superhero, a photographer, a firefighter, a plumber, and a dog walker—before finally realizing that buttons are best at being attached to something else, like the nose of a teddy bear. The idea of a button fulfilling other jobs is humorous in itself; Olson’s illustrations take the joke to its fullest extent, with poor, flammable Norman running away from a campfire, for instance, or getting dragged through the mud at the end of a dog’s leash. Norman’s own button’s-eye-view photographs go unappreciated in the story itself, but the manipulated photos by Olson and Kester are sure to be a hit; the compositions highlight the silliness of each concept and reveal Norman to be a lovable hero. Olson’s short, accessible sentences, peppered with button-centric turns of phrase (“well-rounded individual,” “hanging on...by a thread”) will delight independent readers and adults reading to youngsters.
A funny, pun-heavy title about finding your purpose by embracing your talents.Pub Date: Sept. 1, 2018
ISBN: 978-1-73237-070-8
Page Count: 34
Publisher: Bellie Button Books
Review Posted Online: Oct. 20, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Review Program: Kirkus Indie
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written and illustrated by Michelle Olson
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by Michelle Olson , photographed by Michelle Olson , illustrated by Michelle Olson
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Josh Schneider ; illustrated by Josh Schneider
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by Josh Schneider ; illustrated by Josh Schneider
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by Josh Schneider ; illustrated by Josh Schneider
by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Dan Santat ; illustrated by Dan Santat
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by Joanna Ho ; Caroline Kusin Pritchard ; illustrated by Dan Santat
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by Neil Sharpson ; illustrated by Dan Santat
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