by Michelle Schaub ; illustrated by Claire LaForte ‧ RELEASE DATE: April 1, 2021
A sweet message of kindness and empathy, best tempered with a gentle jolt of reality.
This illustrated poem shows readers that kindness is worth catching and passing on.
The first act of kindness spotlighted in this illustrated poem is a child hugging their caregiver upon waking in the morning. This action sets up a chain reaction of kindnesses that flows until the illustrations come full circle, and the family members from the beginning become the beneficiaries of a stranger’s kindness when their lost dog is returned to them. The illustrations, brightly colored with a multiracial host of characters, create a story somewhat separate from the poem at times. The commitment to illustrating the ripple effect of kindness creates moments where the text does not sync with the illustrations. Readers will not understand the story about the lost dog until it is resolved, for instance. It also fosters the misleading idea that kindness is always met with the same, a message that is understandable but also not, sadly, totally realistic. On the opening pages, there is a guide instructing adult readers in the practice of dialogic reading. That thoughtful addition will prove helpful to many, since dialogic reading is not intuitive for all adults but, when employed, creates a dynamic and pleasurable reading experience for a child. The backmatter includes an explanation of metaphors and similes that may be a bit advanced for the target age range of the book.
A sweet message of kindness and empathy, best tempered with a gentle jolt of reality. (activities) (Picture book. 4-7)Pub Date: April 1, 2021
ISBN: 978-1-7330359-8-9
Page Count: 32
Publisher: Cardinal Rule Press
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
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by Max Greenfield ; illustrated by James Serafino ‧ RELEASE DATE: Sept. 3, 2024
Relatable guidance for nocturnal worriers.
Actor and author Greenfield’s latest picture book follows a child kept awake by anxieties.
The pajama-clad narrator huddles in bed among the blue shadows of a bedroom at night. “Every time I close my eyes, I’m afraid of all the scary stuff I see.” Bright, candy-hued clouds of cartoon images surround the child, lively, disruptive depictions of the what-ifs and exaggerated disasters that crowd out sleep: war (we see the world pop “into a piece of popcorn”), kidnapping (pirates carry away the child’s teddy bear), falling “up” into the sun, tarantulas in the toilet, and a menacing-looking dentist. These outsize insomnia inducers may help readers put their own unvoiced concerns into perspective; after all, what frightens one person might seem silly but understandable to another. Our narrator tries to replace the unsettling thoughts with happy ones—hugging a baby panda, being serenaded by a choir of doughnuts, and “all the people who love me holding hands and wearing every piece of clothing that they own.” But sleep is still elusive. Finally, remembering that there’s a difference between reality and an overactive imagination, the child relaxes a bit: “Right now, everything is okay. And so am I.” Reassuring, though not exactly sedate, this tale will spark daytime discussions about how difficult it can be to quiet unsettling thoughts. The child has dark hair and blue-tinged skin, reflecting the darkness of the bedroom.
Relatable guidance for nocturnal worriers. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9780593697894
Page Count: 32
Publisher: Putnam
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
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by Max Greenfield ; illustrated by Mike Lowery
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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