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OLIVE AND THE BACKSTAGE GHOST

Whether readers are enraptured as Olive or dubious as Felix, the Maudeville’s mysteries will captivate them until the end....

Olive Preiss finds sanctuary on the stage but soon finds there is often more than meets the eye in the theater.

Like many young women, white, brown-haired Olive dreams of success on the stage. There is only one problem: whenever her mother is in the room she chokes. After a particularly awful audition, Olive runs off through the city. As rain clouds roll in, she seeks refuge in the Maudeville, an old but elegant and well-preserved theater. The lovely stage compels her to break out in song. Unbeknownst to Olive, the mysterious proprietor of the establishment is listening in and immediately offers Olive a starring role in her upcoming vaudeville review. Olive almost immediately feels deep affinity with the diverse cast and even the friendly ghosts that call the Maudeville home. The theater becomes her escape from her stressful home life. Yet when young, Latino vagabond Felix warns her not to return, she begins to see that there may be more to her beloved theater than meets the eye. This dark, grief-filled tale is reminiscent of Stephen King’s It with a dash of Cirque du Soleil and is likely to appeal to readers who resonate with Olive’s feelings of escape and refuge found on stage.

Whether readers are enraptured as Olive or dubious as Felix, the Maudeville’s mysteries will captivate them until the end. (Fantasy. 8-12)

Pub Date: Aug. 15, 2017

ISBN: 978-0-399-55066-9

Page Count: 224

Publisher: Random House

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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