by Michelle Sinclair Colman ; illustrated by Nathalie Dion ‧ RELEASE DATE: June 1, 2009
Like its predecessors in the Urban Babies Wear Black series, this outing, although ostensibly aimed at one-to-three–year-olds, offers very little for its target audience but lots for grown-ups. Page after page of text far beyond babies’ conceptual ken (“Jet-set babies have an entourage”) are paired with Dion’s sophisticated images, which are characterized by muted colors and busy patterns that fly in the face of research into brain and vision development. There’s lots of humor on hand for the adult: “Jet-set babies speak foreign languages” depicts a black baby saying, “gagagooGOO” to a white baby who replies, “GAgagoogoo”—all in hand-drawn letters that further confuse the composition. Smug and irritating. (adult)
Pub Date: June 1, 2009
ISBN: 978-1-58246-290-5
Page Count: 20
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
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by Michelle Sinclair Colman ; illustrated by Paul Schmid
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Josh Schneider ; illustrated by Josh Schneider
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by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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by Pete Seeger & Paul Dubois Jacobs & illustrated by R. Gregory Christie
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adapted by Pete Seeger & illustrated by Wendy Anderson Halperin
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