A playful tale offering readers a peek at moms across the species. Supermom is a wonder to behold: she propagates her species, plays the greatest games, protects, and nurtures her young. The main text comments on the general theme of each page—playing, communicating, defending—while the subtext, set in a bolder typeface, provides captions for the illustrations of different creatures. Moms of all types are celebrated: human, animal, and insect mothers alike receive accolades. While the book does not provide an in-depth, scientific approach to the mothering habits of various animals, it does offer readers intriguing tidbits of animal-mom trivia. However, Manning's scope proves to be too broad; his attempts to establish connections among all mothers result in a few glaring missteps in the text, limiting its appeal. The assertion that "We call the person who gave birth to us 'mom.' We call the grownup who takes care of us 'mom,' too" is not applicable (and more than a little misleading) for the large number of children in daycare or those who stay at home with their fathers, grandparents, or other relatives. Furthermore, to say that all moms are "supermoms" and therefore gentle, nurturing, cuddly, etc., is simply wishful thinking. Ganström's full-color illustrations highlight a nice variety of moms busily mothering, be it a bear cuddling her young cub, or a wolf frolicking with her pups. Each two-page spread features moms of different species engaged in similar activities, establishing, with more success than the text, a clearer connection between these seemingly disparate mothers. A clever concept supported by appealing illustrations that sadly falls short of the mark. (Picture book. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8075-7666-2
Page Count: 32
Publisher: Whitman
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
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