by Mickey Rapkin ; illustrated by Teresa Martínez ‧ RELEASE DATE: June 4, 2019
Anyone who’s ever protested bedtime will surely want this story to continue in their own time machines
Where the Wild Things Are meets Harold and the Purple Crayon with an imagination that’s brand new.
Beginning with delightful endpapers of childlike dinosaur sketches, this story recasts bedtime as adventure time. A preschool-age child lies in bed, terrified, as mom says, “Be brave. You’re the Boss of Bedtime!” Feeling anything but bosslike, the timorous kid peers nervously around the dark room, certain that trouble lurks nearby. But trusty stuffed bunny Floppy encourages the child to imagine the bed as a time machine that can take them anywhere, even to a land of dinosaurs! Off go the kid, bunny, and bed to a wild space of meadows and mountains (and a basketball hoop and a grill), where friendly dinosaurs play games and live together. Eventually the narrator’s bravery exceeds Floppy’s, even making friends with an affable T. Rex, who plays games and doesn’t want his new playmate to leave. The lively and vivid digital art is full of details big and small, especially in the borders. These are illustrations that deserve to be explored again and again. The opening spread, in particular, contains key clues to this fantastical nighttime adventure. The protagonist appears to be a child of color, with light-brown skin and short, straight black hair.
Anyone who’s ever protested bedtime will surely want this story to continue in their own time machines . (Picture book. 3-7)Pub Date: June 4, 2019
ISBN: 978-1-250-16762-0
Page Count: 32
Publisher: Imprint
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Mickey Rapkin ; illustrated by Teresa Martínez
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
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Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Kobi Yamada ; illustrated by Adelina Lirius
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by Kobi Yamada ; illustrated by Charles Santoso
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by Kobi Yamada ; illustrated by Elise Hurst
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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