by Midori Basho ; illustrated by Midori Basho ; translated by Mariko Shii Gharbi ‧ RELEASE DATE: April 1, 2015
A community celebration for audiences that appreciate stories that are on the long side.
A community bands together to revitalize a dilapidated house so old and young can gather and socialize in this Japanese import, the first in a 13-book (so far) series to be translated into English.
When Miss Flora and Mother put their heads together to come up with a way to raise money for repairs to the old beloved community cafe, their plan to hold a homemade cake contest piques the interest of twins Timothy and Sarah, who each want to enter their own creations. While the premise may initially raise excitement in young readers and listeners, the sheer length of the text and the stilted translation will likely dampen it: “That was when they realized that they were not sure how to make cake dough. So Mother taught them and helped them make the dough.” Problems are solved almost as soon as they are identified (“And in the end, the old house stood revived all new like a wonder”), and one intriguing mystery involving an elderly man, his sick wife and the cafe they used to run is never satisfactorily resolved. Indeed, readers who aren’t paying attention may miss this reference altogether. Still, the idea of a community coming together for a cause is a popular one, and the mouthwatering spreads of cake after cake, all elaborately decorated, are hard to resist. Basho’s anthropomorphized mice are sweetly old-fashioned in their dress, mannerisms and surroundings.
A community celebration for audiences that appreciate stories that are on the long side. (Picture book. 6-8)Pub Date: April 1, 2015
ISBN: 978-1-940842-02-8
Page Count: 32
Publisher: Museyon
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Mo Willems ; illustrated by Mo Willems
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Awards & Accolades
Our Verdict
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New York Times Bestseller
Caldecott Honor Book
by Brendan Wenzel ; illustrated by Brendan Wenzel ‧ RELEASE DATE: Aug. 30, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Awards & Accolades
Our Verdict
GET IT
New York Times Bestseller
Caldecott Honor Book
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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