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PICNIC WITH OLIVER

Fans of Tea with Oliver (2017) will delight in watching this cat-and-mouse friendship grow, and newcomers will happily enter...

Best friends Philbert (a wee mouse) and Oliver (a moon-faced orange-and-white cat) plan an elaborate picnic, but everyone knows the best-laid plans of mice and kittens often go awry.

The two gleefully load up a rolling cart with everything they might need (teacups, a tiered sandwich platter, pillows, cookies, a stuffed bear, a book, a blanket, a paper sailboat, an umbrella) and set up camp by a pond—a “perfect spot.” The sweetness of Philbert and Oliver’s interspecies friendship, their shared giddiness, and that inevitable, impending thunderclap all swirl inside readers, making their hearts swell and their chests tighten as they wait for the first raindrop to fall. Pale watercolor-and-ink illustrations describe a soft world, one with assured circular shapes everywhere (the trees’ greenery, Oliver’s head, spots, and ears, an umbrella, a bagel, cookies, and the speech bubbles). These recurring curves and Song’s pleasantly mellow mint-, orange-, and strawberry-sherbet palette create pillowy, soft illustrations. Readers therefore gasp when they arrive at a jarring double-page spread showing driving rain, Philbert’s angular face pitching over the helm of his pointy, paper boat, and the pond’s monstrous, jagged waves. Thankfully, a rescue is just one best friend and a makeshift umbrella-boat away.

Fans of Tea with Oliver (2017) will delight in watching this cat-and-mouse friendship grow, and newcomers will happily enter their amiable world of reciprocity. (Picture book. 4-8)

Pub Date: July 3, 2018

ISBN: 978-0-06-242950-6

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: April 17, 2018

Kirkus Reviews Issue: May 1, 2018

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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