Fans of Tea with Oliver (2017) will delight in watching this cat-and-mouse friendship grow, and newcomers will happily enter...
Best friends Philbert (a wee mouse) and Oliver (a moon-faced orange-and-white cat) plan an elaborate picnic, but everyone knows the best-laid plans of mice and kittens often go awry.
The two gleefully load up a rolling cart with everything they might need (teacups, a tiered sandwich platter, pillows, cookies, a stuffed bear, a book, a blanket, a paper sailboat, an umbrella) and set up camp by a pond—a “perfect spot.” The sweetness of Philbert and Oliver’s interspecies friendship, their shared giddiness, and that inevitable, impending thunderclap all swirl inside readers, making their hearts swell and their chests tighten as they wait for the first raindrop to fall. Pale watercolor-and-ink illustrations describe a soft world, one with assured circular shapes everywhere (the trees’ greenery, Oliver’s head, spots, and ears, an umbrella, a bagel, cookies, and the speech bubbles). These recurring curves and Song’s pleasantly mellow mint-, orange-, and strawberry-sherbet palette create pillowy, soft illustrations. Readers therefore gasp when they arrive at a jarring double-page spread showing driving rain, Philbert’s angular face pitching over the helm of his pointy, paper boat, and the pond’s monstrous, jagged waves. Thankfully, a rescue is just one best friend and a makeshift umbrella-boat away.
Fans of Tea with Oliver (2017) will delight in watching this cat-and-mouse friendship grow, and newcomers will happily enter their amiable world of reciprocity. (Picture book. 4-8)Pub Date: July 3, 2018
ISBN: 978-0-06-242950-6
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: April 17, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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