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SARAH GIVES THANKS

HOW THANKSGIVING BECAME A NATIONAL HOLIDAY

Readers will look forward to more from this talented author, who has penned a perfectly paced, rousing biography.

The inspiring story of an early-19th-century woman who supported her family, made a name for herself and gave us all an opportunity to give thanks each November.

Allegra’s debut opens with Gardner's watercolor-and-pencil illustration of a family of six gathered around a turkey-laden table, hands joined, faces reflecting their sorrow: They had just buried their father, yet their mother, Sarah Josepha Hale, insisted on giving thanks for their blessings. Amusing and perfectly chosen anecdotes highlight the qualities that made Hale such a success—curiosity, thirst for knowledge and determination. Her husband, David, encouraged her writing, which would become the family’s means of support after his death in 1822. The writer of the first anti-slavery novel as well as “Mary Had a Little Lamb,” she became a household name as “editress” of two ladies’ magazines. Hale used the magazines to encourage women to think. Soon, she became someone whose opinions were taken seriously by her readership, including those about celebrating Thanksgiving as a national holiday. Four presidents refused her yearly requests, but Abraham Lincoln and a country embroiled in a Civil War needed to take a day to count blessings, and so Thanksgiving was made official. Gardner nicely combines vignettes and double-page spreads, his colors reflecting mood, while lots of period (and humorous) details will bring readers back for another perusal.

Readers will look forward to more from this talented author, who has penned a perfectly paced, rousing biography. (author’s note, selected sources) (Picture books/biography. 5-10)

Pub Date: Sept. 1, 2012

ISBN: 978-0-8075-7239-9

Page Count: 32

Publisher: Whitman

Review Posted Online: July 31, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE SECRET SUBWAY

Absolutely wonderful in every way.

A long-forgotten chapter in New York City history is brilliantly illuminated.

In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.

Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)

Pub Date: March 8, 2016

ISBN: 978-0-375-87071-2

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Dec. 21, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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