A buoyant tale of scientific enquiry fueled by a proper mix of curiosity and courage.
Is that new owl in the garden live or a fake? An intrepid field mouse methodically finds the answer.
When the garden where they love to socialize and chow down acquires a scary new guardian, the mice flee—all but Scampers, who wonders why the owl never moves…not when a rag-doll mouse is temptingly waved about, not when Scampers marches by as a one-mouse band, not even when clobbered by first an egg and then a rock flung from an “eggapult” constructed with help from faithful foil Nibbles. Just to be sure, Scampers hauls off to the nearest woodland to “try this stuff out on another owl,” which behaves very differently. No doubt about it: time to write up their findings (on a poster, with lots of glitter) for presentation to the field-mouse community (“So the vegetable garden owl is a fake owl!”) and lead a charge back to the land of plenty. But when Scampers turns around, only Nibbles has come along. “Well, sometimes a new discovery is so amazing that others need a little time to accept it.” Zechel doesn’t depict a feasible eggapult, but she gives her furry, bright-eyed investigators plenty of personality via anthropomorphic expressions and gestures. Allegra piles on the backmatter, recapping and explaining each step of Scampers’ research, adding info-bits about owls and field mice, and closing with STEM enhancement activities.
A buoyant tale of scientific enquiry fueled by a proper mix of curiosity and courage. (Picture book. 6-8)Pub Date: March 1, 2019
ISBN: 978-1-58469-642-1
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
Readers (and listeners) will think that this book is the bee’s knees.
Children will be buzzing to learn more about honeybees after reading this story.
Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.
Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-4814-6997-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
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