by Mike Ciccotello ; illustrated by Mike Ciccotello ‧ RELEASE DATE: July 8, 2025
Offers a few laughs but not likely to become a storytime favorite.
A ghost sets out to design the perfect house for his family.
Their old house (an Addams Family–style mansion) having been condemned, the ghosts must relocate. Hard-hatted Leonard takes charge. The family finds a plot in an idyllic, leafy suburb. A contractor and a supplier are visibly uneasy with specter clients but take their money nonetheless. Leonard knows his way around a construction site, but at every step, family members object. The house isn’t haunted enough! It isn’t dank or dark! Where are the “creaks and leaks”? What about the cobwebs? Laconic Leonard is undeterred. Once the home is finished, it looks perfectly ordinary. Soon neighbors and a dog (last seen lifting a leg on the For Sale sign) arrive with a welcome balloon and brownies. As the ghosts peek out, the terrified humans flee, and the ghosts grab the goodies. Pleasant, precise cartoon-type art features realistic colors and depicts the phantoms as white blobs with arms, differentiated by accessories such as a bow tie, hair ribbon, or propeller cap. The puns might tickle adult readers, and the odd sight gag may elicit a chuckle here and there. Overall, though, it’s a lengthy buildup to a rather underwhelming punchline. Construction fans will go for the building parts, and the ghosts are admittedly quite endearing, but most readers will be disappointed. Human characters are diverse.
Offers a few laughs but not likely to become a storytime favorite. (Picture book. 4-7)Pub Date: July 8, 2025
ISBN: 9780374392444
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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