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DALEN & GOLE: SCANDAL IN PORT ANGUS

Squeaky-clean, good fun, even if a little underdeveloped.

A crisp, clear comic romp about two alien friends who uncover a gently sinister scheme that could destroy both their home planet and a small fishing town on Earth.

Stylistically reminiscent of Jar Jar Binks (though highly likable instead of annoying), Dalen and Gole are two extraterrestrial best friends who live for jet racing on their home planet Budap. When they lose a race to the obviously shifty Tunax (who wins a race with the assistance of a mysterious cloud of purple smoke), Dalen—the less cynical of the duo as well as the better loser—offers him both congratulations and an assist in putting his jet racer away. While doing so, Dalen and Gole accidentally discover a tunnel that transports the pair to Earth’s Port Angus, a small fishing village on the brink of ruin, as all of the fish have been disappearing. Upon further investigation, they learn that both the mysterious purple smoke and the missing fish share a “fishy” connection, and the twin fates of Budap and Port Angus lie in their hands. Deas’ art has a clarion brightness and is tidily paneled across the page. Driven mainly by cartoon action, the character development is lacking, and a truly likable character—Rachel, the Earth-girl who befriends Dalen and Gole—is left somewhat shapeless and one-dimensional.

Squeaky-clean, good fun, even if a little underdeveloped. (Graphic science fiction. 8-11)

Pub Date: Oct. 1, 2011

ISBN: 978-1-55469-800-4

Page Count: 128

Publisher: Orca

Review Posted Online: Aug. 30, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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