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SMALL BROWN DOG’S BAD REMEMBERING DAY

Poster puppy for cluelessness, a small dog with a white patch on one eye wakes up one morning dismayed to discover his name, collar, and entire life misplaced. Off he charges on a true journey of self-discovery. Though a series of canine acquaintances cumulatively fill in some of the gaps—“ ‘You are a small brown dog with a pink nose who likes splashing in puddles’ ”—his name remains a mystery. Aside from frequent appearances by a tiny blue mouse, it's a dog’s world in Nascimbeni’s (What If?, 1999, etc.) loopy, spacious cartoons, composed along canted planes using just a few vigorously brushed colors and the occasional bit of patterned material or newsprint. With each encounter, Small Brown Dog fills out as a character for readers as well as himself, and by the time he’s tracked down both collar and name (“ ‘Patch!’ ”), he will seem as familiar as any real pet. He’s not the only forgetful character in a children’s book, but he is the most engagingly doggy one, and his plight may make children—not to mention parents—feel better about their own “senior moments.” (Picture book. 6-8)

Pub Date: June 1, 2000

ISBN: 0-525-46397-6

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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