by Mike Lupica ‧ RELEASE DATE: Oct. 14, 1996
Nothing new in this angry diatribe from sports columnist and novelist Lupica (Jump, 1995, etc.): Professional athletes and team owners are arrogant, selfish, and greedy; the fans are fed up; and somebody should do something about it. This should be the Golden Age of sports, with more sports and greater access to them than ever before, says Lupica. But it isn't, he continues, because fans are powerless against rising ticket and cable prices and because of escalating salaries for mediocre or ``preening'' players. The modern fan ``feels like someone trapped in an abusive relationship.'' He lays part of the blame on free agency, which came for the players in the mid-1970s but has been around a long time for the owners: Seeking better deals, owners like Walter O'Malley can move the beloved Dodgers from Brooklyn to Los Angeles with no regard for loyalty or tradition. More recently, Art Modell, in spite of 30 years of sold-out crowds at Cleveland Stadium, betrayed the city and Browns fans and moved to Baltimore. But as for the players' role in alienating fans, the author drags out the usual suspects: Dennis Rodman, Derrick Coleman, Michael Irvin, Albert Belle, Darryl Strawberry—misfits who have repeatedly shown contempt for fans, authority, and their game. Lupica provides statistics of athletes arrested or charged with crimes during 1995: Among them are 160 college football players; 49 professional football players; 21 hockey players. He offers a number of oft- heard solutions: no guaranteed contracts; pay college athletes something—maybe they'll stay in school longer; boycott ``rat owners''; institute a strict Code of Conduct for owners. Most will concur with Lupica's Lament, but his voice is so shrill, and he is often so crude (he says Modell sold the team for the same reason an ``old dog licks his balls. Because he can'') that even the angriest fan will turn away. (First serial to Esquire; author tour)
Pub Date: Oct. 14, 1996
ISBN: 0-399-14221-5
Page Count: 224
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Bonnie Tsui ; illustrated by Sophie Diao
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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