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CLIVE CUSSLER'S HELLBURNER

Like the Oregon itself, this novel is fast-moving, implausible, and fun.

This is the 16th installment of the action-packed Oregon Files series.

The mercenary Juan Cabrillo and his dedicated Oregon crew confront a ship carrying contraband, which leads to uncovering the Pipeline, a massive smuggling enterprise. As the series’ fans know, the Oregon is a 590-foot “rust bucket tramp steamer” on the outside and a technological marvel on the inside. It can zip like a speedboat and even change colors. The primary antagonists are two businessmen named Hakobyan and Katrakis, one Armenian and the other Greek, who have known each other for more than 50 years. Their Pipeline is a conduit for transporting arms, munitions, and meth, making it “the envy of the criminal world.” Now the Armenian has a plan to achieve “wealth beyond imagination” and avenge the genocide of Armenians by Turks in the process. They will steal a 100-megaton bomb and explode it underwater in the Bosporus to cause a tsunami that will “drown sixteen million dirty Turks in a flood of their own radioactive bathwater.” And it will happen when POTUS and the Turkish president are in Istanbul. Then Turkey will blame Russia and go to war, dragging in NATO. World War III will ensue, and badda-bing-badda-boom, the old crooks will become richer than Croesus by—um, who knows—rebuilding atop the rubble, apparently. Their plan does seem to have a few holes. Cabrillo and crew get wind of the nuclear-tipped torpedo, and of course the clock is ticking. Spectacular fighting scenes ensue, with ex-SEAL Cabrillo displaying tenacity and skill worthy of the best fictional heroes. While the evildoer Hakobyan will “do business with the Devil himself if it turned a profit,” Cabrillo will never do anything against American interests. Even his prosthetic leg deserves honorable mention for its unexpected utility in combat. The name Hellburner occurs twice near the end and is not integral to the storyline, but it makes for a good title.

Like the Oregon itself, this novel is fast-moving, implausible, and fun.

Pub Date: Sept. 6, 2022

ISBN: 978-0-593-54064-0

Page Count: 432

Publisher: Putnam

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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