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TOM CLANCY FIRING POINT

It’s assembly-line Clancy: high-quality entertainment, few surprises.

President Jack Ryan and son save the world again in this latest Tom Clancy thriller by Maden.

“Alive, not dead.” That is young Jack’s task in South Korea— to bring a bad guy back for interrogation—but he knows there’s “a long, nasty road of hurt” between life and death. Later, he’s in a Barcelona restaurant sipping vermut when he unexpectedly meets an old flame. They chat, and he leaves just before an explosion kills everyone inside. Rushing back—because that’s what Ryans do—he hears his dying friend whisper “Sammler.” Enraged, he will stop at nothing to find her killer. Later on, a woman from Spain’s security service also dies in Jack’s presence. No wonder he’s single; the guy’s a walking danger zone. In typical Clancy style, the action spans four continents and the Pacific Ocean, where a container ship carrying illegal cargo is sunk. In “a new kind of piracy,” drones disguised as tiger sharks sink enough ships to warrant the attention of President Ryan, whom one character calls “sharp as a tack, and blunt as a hammer.” That’s much better than what a bad guy calls his son: “this Ryan asshole.” Father and son go to great lengths to keep their relationship from being known, yet it’s still curious that no one seems to noodle on the idea they might look alike for a reason. A geek named Gavin, a “one-man wrecking machine when it came to hacking,” pointlessly reminds Jack that he’s “not authorized to do anything.” If Jack follows that advice, half the story disappears. The ultimate stakes are much higher than sunken ships: The theft of trillions of dollars may cause an “economic apocalypse,” and what’s a Clancy thriller without a ticking clock (Jack’s watch, really) and a threat of World War III? Fast action and dead bodies abound in this enjoyable bit of hero worship.

It’s assembly-line Clancy: high-quality entertainment, few surprises.

Pub Date: June 9, 2020

ISBN: 978-0-593-18806-4

Page Count: 480

Publisher: Putnam

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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