MAGIC IN THE AIR

Naysayers can’t ground the coolest shot in basketball.

A staple of postgame shows and social media feeds, the slam dunk is omnipresent, but the opposite was once true, Sielski, a Philadelphia sportswriter and Kobe Bryant biographer, writes in this informative account. Consider the book’s cover star, Julius Erving, who wowed fans by leaping from the free-throw line, 15 feet from the hoop, and slamming the ball home. Born in 1950, “Dr. J” was never more athletic than in the early 1970s, but playing in the ABA, an upstart league without a national TV contract, “he was invisible,” a pro basketball executive tells Sielski. At least the ABA let him dunk. While at the University of Massachusetts, Erving, like every other college player from 1967 to 1976, was prohibited from dunking during games. Sielski shows that race was among the factors behind the purportedly safety-minded rule change. By the late 1960s, Black players like UCLA’s Lew Alcindor—he’d later change his name to Kareem Abdul-Jabbar—were dominating the college game. The “Anti-Alcindor Rule,” as some called the dunk ban, was meant to temper his above-the-rim supremacy, and Abdul-Jabbar was among those who said the rule change wouldn’t have been implemented if he were white. Sielski chases a host of historical leads about early dunkers, yielding memorable, if not always verifiable, anecdotes. Joe Fortenberry, a college player in Texas, dunked in a 1930s game, but his coach said, “Joe, that’s not elegant” and forbade further dunks. Holding two basketballs and tossing a third in the air as he jumped, New York City phenom Connie Hawkins could dunk all three before landing. Sielski writes about great recent dunkers, but his chapters on Michael Jordan and Ja Morant offer little that will be new to fans.

A suitably vibrant history of spectacular doings on—and above—the hardwood.