Taylor trusts to her material and doesn't try to inflate Cassie's role in these events, and though the strong, clear-headed...
At first Cassie Logan and her brothers, a year or so older than they were in the much briefer, Song of the Trees, (1975) are only dimly aware of rumors that two men have been killed and one badly burned by a white mob.
Then Mary, their mother, tries to organize a boycott against the Wallaces, the local storeowners and instigators of the violence, and Logan land and lives are put on the line. Cassie's own spirit is demonstrated straight off, on the first day of the school year, when she refuses to accept a schoolbook labeled "condition—very poor, race of student—nigra." Like her parents, Cassie learns that she must pick her shots carefully to survive, and she takes pains to learn a few blackmail-level secrets from her special tormentor, Miz Lillian Jean, before giving the older girl a good thrashing. Tragically though, brother Stacey's friend T.J. who isn't so careful, starts hanging around with the Wallace boys and winds up facing a lynch mob after they talk him into helping them rob a store. Although the Logans, whose ownership of desirable farmland has made them a target of white persecution, live in a virtual state of siege, and even after Papa sets fire to his own cotton to divert the attention of the mob from T.J., the story ends unmelodramatically not far from where it began—after a string of hard-fought victories and as many bitter defeats and with the money for the next tax payment on the land still not in sight.
Taylor trusts to her material and doesn't try to inflate Cassie's role in these events, and though the strong, clear-headed Logan family is no doubt an idealization, their characters are drawn with quiet affection and their actions tempered with a keen sense of human fallibility.Pub Date: Oct. 1, 1976
ISBN: 978-0-8037-2647-5
Page Count: 304
Publisher: Dial Books
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: Oct. 1, 1976
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BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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