by Milly Lee & illustrated by Yangsook Choi ‧ RELEASE DATE: Aug. 2, 2001
Early on the morning of April 18, 1906, an earthquake shook the city of San Francisco, collapsing buildings and igniting fires that raged for days. In the straightforward words of the girl who was her mother, Lee (Nim and the War Effort, 1997) tells the story. Her family—grandmother, parents, and brothers—were thrown from their beds in San Francisco’s Chinatown that morning, and quickly packed not only food and clothing but also the precious portraits of their ancestors and the statue of the Goddess of Mercy Kwan Yin. They loaded a cart and pushed and pulled it through the city to Golden Gate Park. (Lee explains that the bound feet of mother and grandmother made it impossible for them to walk very far.) There, from tents, they watched the city burn. The illustrations’ sculptured forms and geometric shapes make a pattern of stability against dark vistas of smoke, fire, and destruction. The strength of the figures stands in contrast to the fear and hunger the child describes, enabling young readers to take in the scene and still find reassurance and comfort. A good way to introduce the youngest of readers to a calamitous event. (author’s note) (Picture book. 5-8)
Pub Date: Aug. 2, 2001
ISBN: 0-374-39964-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 2001
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by Milly Lee & illustrated by Yangsook Choi
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by Milly Lee & illustrated by Yangsook Choi
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Rachel Isadora ; illustrated by Rachel Isadora
by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
by Megan McDonald & illustrated by Peter H. Reynolds
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by Megan McDonald ; illustrated by Scott Nash
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by Megan McDonald ; illustrated by Katherine Tillotson
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by Megan McDonald ; illustrated by Peter H. Reynolds
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