by Milton Meltzer ‧ RELEASE DATE: Oct. 13, 1970
The one solid, unassailable accomplishment of this book is to set forth the achievements of the black-supported Republican state government and black officeholders on the state and local levels between 1870 and 1873; as a history of Reconstruction, however, it is emotional and partisan, fuller of blame than of sober, discriminating assessment. Omitted from the impressionistic tableau are the very limitations to the Emancipation Proclamation that the Thirteenth Amendment rectified and the absolute necessity for Congress to give the blacks votes to gain ratification of the Fourteenth Amendment; much that was specifically motivated becomes a matter of amorphous pressures. Neither do even the most sympathetic studies of the period substantiate the Claims made for black militance ("Thousands of new revolutionaries like the Gabriels and Denmark Veseys and Nat Turners Of slavery times had fused into a powerful black fist to help crush their oppressors") or slave transformation "almost overnight into makers and doers," "into farmers and businessmen, students and teachers, lawyers and bishops, jurors and judges, sheriffs and senators." That socially and economically life changed very little for the majority is thereby obscured. Obscured also, in a quote, is the revolutionary nature of the expansion of government services beyond their prewar level. On the one hand more is made of Reconstruction than the facts justify; on the other hand, less. And the concentration on oppression, injustice and terror, inarguable per se, overshadows what explanations are offered for both the inception and termination of Reconstruction. There is much drama (there will be pictures too), less enlightenment.
Pub Date: Oct. 13, 1970
ISBN: 0695801384
Page Count: 192
Publisher: Follett
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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by Kate Messner ; illustrated by Mark Siegel ‧ RELEASE DATE: July 7, 2020
A lovely encouragement to young writers to persist.
This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.
A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.
A lovely encouragement to young writers to persist. (Informational picture book. 6-10)Pub Date: July 7, 2020
ISBN: 978-1-4521-5666-8
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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by Kate Messner ; illustrated by Julia Kuo
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by Kate Messner ; illustrated by Christopher Silas Neal
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by Kate Messner ; illustrated by Kat Fajardo
by Dominic Walliman ; illustrated by Ben Newman ‧ RELEASE DATE: Sept. 4, 2018
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit.
The bubble-helmeted feline explains what rockets do and the role they have played in sending people (and animals) into space.
Addressing a somewhat younger audience than in previous outings (Professor Astro Cat’s Frontiers of Space, 2013, etc.), Astro Cat dispenses with all but a light shower of “factoroids” to describe how rockets work. A highly selective “History of Space Travel” follows—beginning with a crew of fruit flies sent aloft in 1947, later the dog Laika (her dismal fate left unmentioned), and the human Yuri Gagarin. Then it’s on to Apollo 11 in 1969; the space shuttles Discovery, Columbia, and Challenger (the fates of the latter two likewise elided); the promise of NASA’s next-gen Orion and the Space Launch System; and finally vague closing references to other rockets in the works for local tourism and, eventually, interstellar travel. In the illustrations the spacesuited professor, joined by a mouse and cat in similar dress, do little except float in space and point at things. Still, the art has a stylish retro look, and portraits of Sally Ride and Guion Bluford diversify an otherwise all-white, all-male astronaut corps posing heroically or riding blocky, geometric spacecraft across starry reaches.
Energetic enough to carry younger rocketeers off the launch pad if not into a very high orbit. (glossary) (Informational picture book. 6-8)Pub Date: Sept. 4, 2018
ISBN: 978-1-911171-55-3
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Dominic Walliman ; illustrated by Ben Newman
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