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TAKING ROOT

JEWISH IMMIGRANTS IN AMERICA

While the vivid, first-hand memories of struggle and triumph—of William Zorach, Maurice Hindus, Mary Antin, Abraham Cahan, and others—are the backbone of this sequel to his documentary World of Our Fathers (1974), Meltzer isn't content with celebrating the success stories. These are the immigrant milieux of Remember the Days (also 1974) reexamined in a harsher, sociological light: Meltzer focuses on the pressures toward Americanization that turned Mashkes and Yankels into Marys and Jims and on the process by which, in the words of historian Lucy Dawidowicz, "the freedom to make money became an obsession" for some. He shows how whole villages—and the attendant class conflicts—were often reassembled in American garment businesses, and he celebrates the success of Jewish socialists in organizing labor unions yet still questions whether the factory was in all ways a dramatic improvement over the sweatshop where, as in the factory the work was "more minute, more intense, and more monotonous." Similarly, the reminisces of those who found public education a thrilling opportunity are balanced by the caution that the schools still failed to equalize opportunities for Jews or any other group. And nostalgia for the old Daily Forward—recalled here along with the Yiddish theater and Essex Street cafes—is tempered by a reminder that the Yiddish press developed its own brand of yellow journalism. Although others have drawn on much of the same sources (Karp's Golden Door to America [p. 667, adult] is the most recent and rich), Meltzer's succinct and intelligent commentary can serve, simultaneously, as a popular introduction to the era and a reexamination of the melting pot myths. . . and it could be an agreeable bridge to the more than 75 titles in his well selected bibliography.

Pub Date: Oct. 1, 1976

ISBN: 0440984920

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Oct. 1, 1976

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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