A well-crafted historical romance built on a marriage of convenience.
A gambler bets on love in Matthews’ (The Work of Art, 2019, etc.) latest period romance, set in 1860 England.
Alex Archer never looks back, or so he claims. Decades ago, he fled the orphanage that was his childhood home and left his friends behind, piecing together a life for himself as a gambler. Now, his latest scheme is to leverage his winnings, wed a wealthy country socialite, and finally secure his own land. But his plans seem to go awry from the beginning when he stumbles across the beautiful, impoverished Laura Hayes. Her family has suffered financially since the death of her father, and Laura has been responsible for the well-beings of her brother, who’s in ill health, and her elderly aunt. Unfortunately, her family’s estate is controlled by a scheming lawyer, and their only hope is for Laura to marry before her upcoming 25th birthday to receive her inheritance. When Alex appears in her small town, Laura immediately sees him as a fortune hunter, intent on marrying her wealthy friend, Henrietta Talbot. But Alex’s plans are no match for the vagaries of true love. Despite his financial interests and Laura’s determination to avoid him, their fate is sealed when Alex saves her life. But before they can pursue their relationship, Alex must reconcile with his past. Readers of Matthews’ previous works will be pleasantly satisfied when Alex crosses paths with memorable characters from prior installments of the Parish Orphans of Devon series. Matthews’ storytelling skills remain rock-solid, and she spins a lovely romantic tale here. Her characters are familiar types, and the plot follows a predictable path, but that doesn’t make the journey any less enjoyable. As always, the background historical details are impeccably researched; in particular, Laura’s trip to the seaside at Margate provides readers with a captivating glimpse into Victorian culture. The description of Victorian bathing machines is intriguing, as well, and Matthews builds excellent narrative tension as Laura’s independent attitude clashes with the era’s cultural expectations.
A well-crafted historical romance built on a marriage of convenience.Pub Date: Oct. 22, 2019
ISBN: 978-1-73305-693-9
Page Count: 352
Publisher: Perfectly Proper Press
Review Posted Online: Oct. 23, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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