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GENTLEMAN JIM

A vigorous, sparkling, and entertaining love story with plenty of Austen-ite wit.

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A put-upon heiress pining for a lost love triangulates between a villainous guardian seeking her hand and a mysterious nobleman in this Regency romance.

Maggie Honeywell used to be a headstrong hellion who scandalized British high society by riding and shooting as well as any man and batting away countless proposals. Alas, by 1817, the 26-year-old has lost her health to flu complications and is about to lose her fortune unless she marries the loathsome Frederick Burton-Smythe. He was given control of her fabulous Beasley Park estate in a will and gets to keep it unless she marries someone he approves—namely, himself. Worse, Frederick has foolishly challenged the Viscount St. Clare, the best shot in London, to a duel over a card game, and if he dies, her assets will be forfeited. Maggie appeals for mercy to St. Clare, who sports over 6 feet of lean muscle and “lazy, masculine grace,” but when she gets a good look at his face, she faints dead away. He’s the spitting image of Nicholas Seaton, the bastard stable boy she fell in love with 10 years ago before Frederick framed him for theft and he ran off to find his father, the notorious highwayman Gentleman Jim. St. Clare ardently woos Maggie but denies that he is this Seaton fellow, all while fending off sly distant relations with a claim to his inheritance and pointed questions about his parentage. St. Clare feels flustered; Maggie feels gaslighted; and the jealous Frederick intensifies his controlling behavior and tries to assault her in a carriage, stopping only when a masked highwayman emerges from the darkness. In her latest yarn, Matthews serves up a savory blend of suspense, erotic infatuation, and marriage intrigue. Her characters are sharply drawn and captivating with lots of Hogarthian quirks; her scenes of balls, drawing-room manners, and vaporous anxieties over deportment are full of piquant details; and the dialogue is tartly elegant. (Frederick: “If you’d exert yourself to be sweet to me on occasion­––” Maggie: “I shall exert myself to slap your face if you don’t let go of me.”) Maggie and St. Clare’s amorous scenes are passionate but don’t unnecessarily drag out the mechanics; the two make for captivating romantic leads whose personalities are as magnetic as their looks.

A vigorous, sparkling, and entertaining love story with plenty of Austen-ite wit.

Pub Date: Nov. 10, 2020

ISBN: 978-1-73305-699-1

Page Count: 376

Publisher: Perfectly Proper Press

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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FUNNY STORY

Henry fans, rejoice: This is her best yet.

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A recently dumped librarian finds herself fake dating her polar opposite.

When Daphne Vincent’s fiance, Peter, dumps her, she’s shocked—but the worst part is that he’s leaving her for his gorgeous best friend, Petra, the woman he’d always told Daphne not to worry about. Now Daphne has to move out of Peter’s home and restart her life in the small Michigan town where she’d moved to be with him. Salvation comes in the form of Miles Nowak, Petra’s ex—he has a tiny spare room in his apartment, and he understands what it’s like to wallow in heartbreak. Daphne feels lucky to have her dream job as a children’s librarian, but other than that, she feels adrift and friendless in Waning Bay—and then she and Miles get invitations to Peter and Petra’s wedding. In a momentary lapse of judgment, Daphne not only says she’ll attend the wedding, but tells Peter she’s dating Miles. It would be the perfect way to show Peter and Petra that they’ve moved on…if only it were true. In the grand tradition of fake-dating romances, Daphne and Miles pretend to be in love, getting to know each other while having various adventures and misadventures. Daphne quickly learns that although she’d dismissed Miles as a pothead with a lack of direction, he’s actually a good time—and a loyal friend. But Daphne knows she needs to get out of Waning Bay, so this fake relationship can’t lead anywhere…can it? Reliable bestseller Henry has written another surefire hit that manages to be dramatic, sexy, and fun. Miles and Daphne have chemistry that leaps off the page, and their will-they-or-won’t-they energy propels the story to its satisfying conclusion. Daphne is an immensely likable character, one whose past realistically informs her current relationships. The world of Waning Bay is charmingly quirky, and Daphne’s co-workers at the library are endearing. As always, Henry’s biggest strength is the sharp, often hilarious dialogue that makes the story a joy to read.

Henry fans, rejoice: This is her best yet.

Pub Date: April 23, 2024

ISBN: 9780593441282

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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