An enjoyable love story that dares to dip a toe into bleak social and political history.
A man seeking a wife gets more than he bargained for in this Victorian romance.
Justin Thornhill has been physically and emotionally scarred by his past. Looking toward the future, he needs a wife to help run his newly acquired household, and he has little interest in an emotional investment. His staff places an advertisement to locate a companion for the gruff British ex-solider, preferably a sturdy widow or similar candidate. Instead, the leading applicant is Helena Reynolds, a young woman of good breeding and great beauty who is in desperate need of a husband. Justin is an excellent hero, with just the right amount of brooding intensity. Helena is a woman of intelligence and kindness who is predictably unaware of her own allure. Readers would hate her if they didn’t like her so much. The couple marry quickly, and while Helena dreams of a peaceful and hidden existence at Justin’s cold and drafty English estate on a remote coast in Devon, fate has other plans. Justin’s protective instincts shift into overdrive as it becomes apparent that Helena is being hunted by her fortune-seeking uncle and his dastardly henchmen. The newlyweds must return to London and fight against her uncle’s accusations of insanity and his threats of an annulment. It’s not surprising when the couple begin to realize that their practical agreement may be a marriage of true love. Matthews’ (The Pug Who Bit Napoleon, 2018, etc.) series opener is a guilty pleasure, brimming with beautiful people, damsels in distress, and an abundance of testosterone. Despite its numerous clichés, it’s a well-written and engaging story that’s more than just a romance. The author chooses to draw on dark moments in British history to create Justin’s and Helena’s complicated pasts: the rampant abuse in the operation of private asylums in the Victorian era and the Indian Rebellion of 1857. It’s an unexpected narrative addition that works well, as Matthews seamlessly blends some grim history with light and frothy fiction.
An enjoyable love story that dares to dip a toe into bleak social and political history.Pub Date: Sept. 18, 2018
ISBN: N/A
Page Count: 317
Publisher: Perfectly Proper Press
Review Posted Online: June 22, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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