An effortlessly elegant slow-burn romance.
A silver-haired equestrienne and a disabled artist navigate the expectations of Victorian society while falling in love.
Stella Hobhouse is accustomed to standing out for all the wrong reasons, thanks to the gray hair she’s had since she was 16. Now, at 22, she’s beginning to wonder if she’s destined for spinsterhood, since her love of horseback riding and independent nature haven’t exactly made her a desirable marriage candidate. Trapped at a friend’s house party over the holidays, Stella has resigned herself to being a wallflower—until she runs into a handsome stranger in a wheelchair. The thing is, Teddy Hayes isn’t exactly a stranger. Stella met him once before, when their paths crossed at a museum in London, and the charming artist now makes her the same proposition he did then: He’d like to paint her. As far as Teddy is concerned, Stella is not only the most striking subject he’s ever encountered, but the most beautiful woman he’s ever seen. Convincing her to pose is an entirely selfish request, one that Stella initially meets with resistance. As an unmarried woman, it would hardly be appropriate for her to sit for Teddy, especially if it means they’ll be alone. But Teddy isn’t so easily deterred; he’s adopted a new philosophy of life following the bout of scarlet fever that put him in a wheelchair, and he sees little reason not to pursue what he wants. As Stella navigates her increasing level of interest in Teddy while trying to avoid her clergyman brother’s efforts to marry her off, and Teddy attempts to convince Stella that she’s lovely enough to be his muse, they both realize they could be of use to each other—by way of a marriage of convenience. The fourth chapter in Matthews’ Belles of London series is a charming conclusion, bringing back many fan-favorite characters from previous installments to support the main romance. The stakes may be high when Stella and Teddy are forced to consider marrying each other for mutual benefit, but the angst level isn’t, and their journey to falling in love is as sweet as it is satisfying.
An effortlessly elegant slow-burn romance.Pub Date: Nov. 19, 2024
ISBN: 9780593639276
Page Count: 384
Publisher: Berkley
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: today
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Slow and plodding.
A young woman with a magical ability to harness light discovers she is royalty.
Talasyn is a foot soldier for her homeland of Sardovia, which has been under attack for the past decade by the powerful and evil Night Empire, a conflict known as the Hurricane Wars. Talasyn is an orphan with no knowledge of her family, but she assumes they might be the source of her rare, magical Lightweaving talent. During a battle with the forces of the Night Empire, Talasyn spars with Prince Alaric, a fierce warrior who is the son and heir to the Night Emperor. Talasyn is sent on a covert mission into Nenavar, a nearby matriarchy that has remained neutral during the Hurricane Wars, to try to access a Light Sever which could hone and refine her magic. Instead, she discovers she is the heir to their royal throne; she and her mother, now presumed dead, disappeared under mysterious circumstances when she was a year old. Alaric follows her into Nenavar, and they discover his magical ability to cast darkness and shadows produces shocking results when mixed with her Lightweaving. A few weeks later, the Night Empire defeats Sardovia and ends the Hurricane Wars, and the novel transitions to a tedious, slow-moving story of court intrigue and diplomacy. A group of Sardovian soldiers and refugees seek asylum in Nenavar, but Talasyn’s grandmother agrees to protect them only if Talasyn agrees to join the royal court and marry Alaric. The politics surrounding the impending wedding is the primary plot for the rest of the novel, and it’s a slog. The glacially slow pacing only serves to highlight the confusing world building and underdeveloped characters. It’s unclear why Alaric and Talasyn are attracted to each other, and their tentative romance is just as stuck in a rut as the plot.
Slow and plodding.Pub Date: Oct. 3, 2023
ISBN: 9780063277274
Page Count: 480
Publisher: Harper Voyager
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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