Next book

THE SWIFT AND THE HARRIER

This well-researched novel of 17th-century warfare shows the perils and rewards of sticking to one's principles.

Crime writer Walters tells the story of a bloody civil war that turned England into a crime scene.

Life was hard for women in 17th-century England, and in Walters’ latest novel, Jayne Swift has it even harder because she’s a physician, a role reserved for men in that era. Living with her aristocratic family in Dorsetshire on the English Channel, Jayne struggles against the chauvinism and lethal concoctions of the local quacks who kill more patients than they save. And if that weren’t enough, her skills are badly needed to handle the brutal injuries as Royalist and Parliamentarian armies clash in a civil war that eventually ends with the execution of Charles I. Walters draws wonderfully on her crime-writing skills to capture the violence and gore of the era. She gives us a likable, resourceful heroine in Jayne, who, with a MacGyver-esque ability to treat any injury with brine, calendula oil, catgut, or a handful of maggots, refuses to take sides. “I still favor neutrality and will continue to do so even after the conflict ends,” she insists at one point. “I have no wish to judge anyone for their beliefs, now or in the future.” It’s definitely an admirable position, but she’s out of place in an era demanding absolute loyalty. As a result, Jayne gets into frequent trouble, but thankfully she has William Harrier in her corner. Harrier’s a chivalrous footman who helps her out of many tight spots and isn’t quite what he seems to be. Questions swirl around him—is he a spy? What side is he on?—as Walters takes us through the years of this devastating war and shows its effects on the towns and villages of Dorsetshire. Her expositions on English history might make some readers impatient for action, but they provide much-needed context for a crisis that divided English society and viciously turned citizens against each other in a way that feels strangely familiar now.

This well-researched novel of 17th-century warfare shows the perils and rewards of sticking to one's principles.

Pub Date: July 12, 2022

ISBN: 9798200913015

Page Count: 500

Publisher: Blackstone

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

Close Quickview