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NO ONE BELONGS HERE MORE THAN YOU

STORIES

A smart, original collection.

An accomplished debut collection of 16 stories, simultaneously bizarre and achingly familiar.

July wrote, directed and starred in the indie film Me and You and Everyone We Know, and the same slightly anguished humor informs these stories, peopled by misfits and loners not quite apprised of their own lowly status. The characters interact tentatively, inappropriately. They are dangerously lonesome people (despite their naïve attempts to connect) who have a lot of awkward sex. In “The Sister,” an old bachelor is fixed up by fellow factory worker Victor. Victor’s sister Blanca is always just out of sight, misses dates, becomes the stuff of mythology between the two men—until it becomes clear on a drugged-out night what Victor’s intentions really are. The longest of the collection, “Something That Needs Nothing,” follows two lesbians after high-school graduation as they run away to Portland, Ore. There they rent a cockroach-infested studio and try to find work, preferably one servicing an older woman willing to support them. Things don’t work out quite so dreamily, as one girl abandons the other to earn a living at Mr. Peeps Adult Video Store and More. “Mon Plaisir” traces a couple’s decline from passionless (including some of the saddest sex possible—he “nurses” her while she masturbates) to mute, as they find they like each other more when they get work as extras in a movie. There are a number of evocative short pieces—a woman teaches some seniors how to swim, a teacher believes her teenage poltergeist lover has taken the form of one of her Special Ed students, a woman who has had a port-stain birthmark removed from her face wonders if her husband would love her if she still had it. The stories have an otherworldly quality, but instead of being fantastical, they are emblematic of a modern loneliness in which the boundaries of normal behavior become useless, where the best that can be hoped for is a kind of aggressive voyeurism.

A smart, original collection.

Pub Date: May 15, 2007

ISBN: 0-7432-9939-6

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

Categories:
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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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