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THE FIRST BAD MAN

A sometimes-funny, sometimes-upsetting, surprisingly absorbing novel that lives up to the expectations created by July’s...

In a bizarrely touching first novel, July (It Chooses You, 2011, etc.) brings the characteristic humor, frankness and emotional ruthlessness of her previous work in film, prose and performance to a larger canvas.

Cheryl Glickman lives a lonely, precisely arranged life afflicted by mysterious neuroses, including the persistent sensation of a lump in her throat. She obsesses over Phillip Bettelheim, a board member of the nonprofit where she works, and the belief that she keeps meeting a familiar, beloved soul embodied in the babies of strangers. Afflicted by a host of anxieties, both believable and outrageous, Cheryl keeps her world tightly ordered until Clee, her bosses’ aggressively rude and monstrously provocative daughter, comes to stay in her house and sets off a sequence of fantasies and disasters that violently transform Cheryl’s life. Told in Cheryl’s own confiding, unfiltered voice, the novel slides easily between plot and imagination, luring the reader so deeply into Cheryl’s interior reality that the ridiculous inventions of her life become progressively more and more convincing. Cheryl acts out simulations from self-defense DVDs with Clee as self-prescribed therapy for her timidity and globus hystericus burdened throat. She becomes fixated on creating graphic, sometimes-perverted sexual fantasies between Clee and a multitude of other people. Her therapist becomes the receptionist of another therapist three times a year as part of “an immensely satisfying adult game.” Though these strange details sometimes seem to slide into heavy-handed attempts to shock, at their best, they deliver an emotional slap made sharper and more fitting by their oddity.

A sometimes-funny, sometimes-upsetting, surprisingly absorbing novel that lives up to the expectations created by July’s earlier work and demonstrates her ability to carry the qualities of her short fiction into the thickly fleshed-out world of a novel.

Pub Date: Jan. 13, 2015

ISBN: 978-1-4391-7256-8

Page Count: 288

Publisher: Scribner

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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