Children may not eagerly embrace this earnest homage to a worthy subject, but those with long-enough attention spans will...
An illustrated biography of Tantoh Nforba, a man who improves lives in Cameroon by helping communities access clean water and take pride in farming.
The book starts with promise: a collage of lush, sloping land with small black figures carrying water. “This is northwestern Cameroon. Green. Wet. Alive.” Unfortunately, the pages that follow describe his career in an overlong and meandering present-tense narration. A young boy named Tantoh plays in the soil in his grandmother’s plot and learns from her how to garden. Tantoh’s father encourages his interest in farming, but his peers tease him with the nickname “Farmer” as a put-down. His older brother encourages him to excel in school so that he can get an office job and support the family, but Tantoh doesn’t want an office job. He continues working the land, learning about it, and networking. Following college, he goes on to help his hometown create gardens and to help other villages locate clean water, build catchments to access it, and build reservoirs to hold water for times of drought. His work inspires many, and young people are no longer ashamed of farming. The simple beauty and variety of Zunon’s images provide enough places for eyes to rest to carry readers through the text, the dappling of her papers adding texture.
Children may not eagerly embrace this earnest homage to a worthy subject, but those with long-enough attention spans will take in some gems. (authors’ note, glossary, map, proverbs, photos) (Picture book/biography. 8-12)Pub Date: Feb. 5, 2019
ISBN: 978-1-5124-4914-3
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Starting with a lonely slice of pizza pictured on the cover and the first page, Thornhill launches into a wide-ranging study of the history and culture of food—where it comes from, how to eat it and what our food industries are doing to the planet. It’s a lot to hang on that slice of pizza, but there are plenty of interesting tidbits here, from Clarence Birdseye’s experiments with frozen food to how mad cow disease causes the brain to turn spongy to industrial food production and global warming. Unfortunately, the volume is designed like a bad high-school yearbook. Most pages are laid out in text boxes, each containing a paragraph on a discrete topic, but with little in the way of an organizing theme to tie together the content of the page or spread. Too many colors, too much jumbled-together information and total reliance on snippets of information make this a book for young readers more interested in browsing than reading. Kids at the upper edge of the book's range would be better served by Richie Chevat's adaptation of Michael Pollan's The Omnivore's Dilemma (2009). (Nonfiction. 8-12)
Pub Date: Sept. 1, 2010
ISBN: 978-1-897349-96-0
Page Count: 64
Publisher: Maple Tree Press
Review Posted Online: July 1, 2010
Kirkus Reviews Issue: July 15, 2010
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