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I USED TO LIVE HERE ONCE

THE HAUNTED LIFE OF JEAN RHYS

An elegant work that provides readers with a better understanding of a beloved author's life.

A fresh biography of the enigmatic British novelist.

Jean Rhys (1890-1979) was a mysterious, fragmented, complicated literary figure. Piecing together the puzzle of her subject’s life, veteran novelist and biographer Seymour takes readers on a wild and satisfying ride. The author begins with Rhys’ childhood on the Caribbean island of Dominica, where she struggled with the mismatched personalities of her doting father and jealous, abusive mother. Escaping into books, she went on to work as a chorus girl, traveling around England. In 1919, she married a French Dutch journalist and spy, and her subsequent experiences—e.g., economic instability, marital strife, and the devastating loss of her firstborn son—fueled her writing. Influenced by her contemporaries, including Hemingway, Conrad, and Joyce, Rhys was both talented and connected, but her career didn’t take off until later in life. For much of her adult life, Rhys relied on the kindness of relatives and friends, adopting a transient lifestyle that took her from city to city and often thrust her into squalor. Feuds with others involved in the publishing and adaptations of her work coupled with unchecked alcoholism—“my will is quite weakened because I drink too much”—did not serve her well professionally even as her talent gained her a significant following. With one surviving daughter who spent little of her life with her and three marriages in her background, her family life remained rocky at times. At age 50, a breakdown propelled Rhys to take up residence in a rectory to convalesce. She once said, "If I stop writing my life will have been an abject failure. I will not have earned death.” As Seymour clearly shows in this compelling biography, Rhys lived by her credo and continued to write: “Heartbreak, poverty, notoriety, breakdowns and even imprisonment: all became grist to Rhys’s fiction-making mill.”

An elegant work that provides readers with a better understanding of a beloved author's life.

Pub Date: June 28, 2022

ISBN: 978-1-324-00612-1

Page Count: 416

Publisher: Norton

Review Posted Online: April 7, 2022

Kirkus Reviews Issue: May 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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