More sketch than finished portrait but gives the artist’s personality its due.
A tribute to a 19th-century artist driven by talent, stubbornness, and impatience with nonsense.
“Balivernes!” (French for nonsense) says Rosa Bonheur when told that it’s “unladylike” to visit the horse market in Paris. And again, “Balivernes,” when she sees men allowed to cross-dress as members of the opposite sex but is (wrongly) told that she could never receive such permission. Drawn by Bron as a determined but very small, White-presenting child surrounded by towering horses and grown-ups in period clothing and, in group scenes, some variation in skin color, Bonheur comes across in Messier’s terse account of her early life as an artistically gifted force of nature who drove her reluctant father to give her art lessons, brought live farm animals to her family’s apartment to draw and paint, and quickly shouldered her way to public attention at the Paris Salon with the huge and stunning Horse Fair. This version of her story ends there, with just a brief note and a closing timeline covering the rest of her rise to fame, her death 10 years after that of her “lifelong companion,” Nathalie Micas, and the (now, at long last, waning) eclipse of her reputation. Ruth Sanderson’s A Storm of Horses (2022) presents younger readers with more analytical views of Bonheur’s art and career, but for all its brevity, this offers an equally vivid glimpse of her character. (This book was reviewed digitally.)
More sketch than finished portrait but gives the artist’s personality its due. (Picture-book biography. 6-8)Pub Date: March 8, 2023
ISBN: 9781459833524
Page Count: 32
Publisher: Orca
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
Hundreds of pages of unbridled uplift boiled down to 40.
From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.
Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)
Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-593-48423-4
Page Count: 40
Publisher: Crown
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
