A sincere, genuine, and uplifting book that affirms the importance of being true to yourself.
Middle school drama hits hard in this coming-of-age graphic memoir.
Natural competitor Misty has faced off against the boys for years, always coming out on top, but now they’re moving on without her into the land of full-contact football. Never one to back away from a challenge, Misty resolves to join the team and convinces her best friend, Bree, to join her. While Misty pours herself into practicing, obviously uninterested Bree—who was motivated more by getting to be around boys than doing sports—drifts toward popular queen bee Ava, creating an uneasy dynamic. Feeling estranged from Bree, Misty, who typically doesn’t think much about her appearance, tries to navigate seventh grade—even experimenting with a more traditionally feminine gender expression—while also mastering her newfound talent for tackling and facing hostility from some boys on the team. Readers with uncommon interests will relate to the theme of being the odd one out. Social exclusion and cutting remarks can be traumatic, so it’s therapeutic to see Misty begin to embrace her differences instead of trying to fit in with frenemies who don’t value her. The illustrations are alive with color and rich emotional details, pairing perfectly with the heartfelt storytelling. The husband-and-wife duo’s combined efforts will appeal to fans of Raina Telgemeier and Shannon Hale. Main characters present as White; some background characters read as Black.
A sincere, genuine, and uplifting book that affirms the importance of being true to yourself. (Graphic memoir. 9-13)Pub Date: Sept. 27, 2022
ISBN: 978-0-06-306469-0
Page Count: 272
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
A rich and deeply felt slice of life.
Crafting fantasy worlds offers a budding middle school author relief and distraction from the real one in this graphic memoir debut.
Everyone in Tori’s life shows realistic mixes of vulnerability and self-knowledge while, equally realistically, seeming to be making it up as they go. At least, as she shuttles between angrily divorced parents—dad becoming steadily harder to reach, overstressed mom spectacularly incapable of reading her offspring—or drifts through one wearingly dull class after another, she has both vivacious bestie Taylor Lee and, promisingly, new classmate Nick as well as the (all-girl) heroic fantasy, complete with portals, crystal amulets, and evil enchantments, taking shape in her mind and on paper. The flow of school projects, sleepovers, heart-to-heart conversations with Taylor, and like incidents (including a scene involving Tori’s older brother, who is having a rough adolescence, that could be seen as domestic violence) turns to a tide of change as eighth grade winds down and brings unwelcome revelations about friends. At least the story remains as solace and, at the close, a sense that there are still chapters to come in both worlds. Working in a simple, expressive cartoon style reminiscent of Raina Telgemeier’s, Sharp captures facial and body language with easy naturalism. Most people in the spacious, tidily arranged panels are White; Taylor appears East Asian, and there is diversity in background characters.
A rich and deeply felt slice of life. (afterword, design notes) (Graphic memoir. 10-13)Pub Date: May 18, 2021
ISBN: 978-0-316-53889-3
Page Count: 320
Publisher: Little, Brown
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
PERSPECTIVES
A stereotype about people with disabilities is shattered by this introduction to a dance company known as Dancing Wheels, a group composed of “sit down” and “stand-up” dancers. The story begins with Mary Fletcher-Verdi, born with spina bifida, a condition that causes weakness in the legs and spine. Mary always wanted to dance, and, encouraged by a family who focused on what she could do rather than what she couldn’t, she studied the art and eventually formed a mixed company, some who dance on their legs, and some who dance in wheelchairs. What she accomplished can be seen in this photo journal of the group’s dance workshop in which beginners and experienced dancers study and rehearse. Along the way, McMahon (One Belfast Boy, 1999, etc.) intersperses the history of the group, some details about the dancers, their families, and the rehearsal process that leads up to the final performance. Three children are featured, Jenny a wheelchair dancer, Devin, her stand-up partner, and Sabatino, the young son of Mary’s partner. The focus on these youngsters gives the reader a sense of their personalities and their lives with their families. Godt’s (Listen for the Bus, not reviewed, etc.) color photographs detail every aspect of the story and show the dancers at home and in rehearsal, interacting with each other, having fun, and finally performaning. They convey the dancer’s sense of joy as well as the commitment to the dance as an art form felt by the adult directors and teachers. An excellent book for helping children and adults expand their understanding about the abilities of the “disabled.” (Nonfiction. 7-12)
Pub Date: Sept. 1, 2000
ISBN: 0-395-88889-1
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
BOOK REVIEW
BOOK REVIEW
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