Although the book loses steam and heart toward the end, the earlier chapters, moving and rich in character and setting, make...
Perkins’ latest, inspired by the author’s own experience as the youngest of three sisters who arrived in the United States in the 1970s, is told in alternating voices across three generations.
This saga tells the intertwined stories of Ranee Das, the matriarch, who uproots her family from Ghana (and then the United Kingdom) to find fortune in the United States; Sonia and Tara, her daughters, who struggle with identity and acceptance; and Anna and Chantal, Ranee’s granddaughters, who fight injustices at home and in their communities. As in the author’s other books, this novel features inspiring South Asian girl and women protagonists grappling with love, faith, and culture, as well as the intersections among their personal, communal, and national histories. The chapters from Ranee’s point of view, highlighting her redemptive transformation from racist mother-in-law to doting grandmother to a half-black grandchild, and those told in Sonia’s and Tara’s voices, including their turns from awkward and aspiring immigrant teenagers to New York Times reporter and Bollywood star respectively, are lushly drawn and emotionally resonant. The final third of the book, however, from the points of view of Anna and Chantal, is less so; its plotlines—Anna’s quest to redecorate her elite private school’s locker rooms and Chantal’s wrecking of her rich, white boyfriend’s Porsche—seem contrived and hastily written. While “issues” permeate the book (war, migration, racism, colorism, body positivity, environmentalism), they are more deftly woven into the narrative in the earlier, historical chapters than the later, contemporary ones.
Although the book loses steam and heart toward the end, the earlier chapters, moving and rich in character and setting, make up for it . (Historical fiction/fiction. 12-18)Pub Date: Sept. 12, 2017
ISBN: 978-0-374-30490-4
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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