A highly expressive, tender story about how “families are like pieces of art, they can be made from many materials.”
A young Haitian girl opens the door to unconditional love for an American couple.
When Albom (The Next Person You Meet in Heaven, 2018, etc.) became director of the Have Faith Haiti Orphanage in Port-au-Prince, he knew the children would make an impact on his life, but one toddler in particular, Chika, stole his heart. She was born just three days before the earthquake that destroyed Haiti in 2010. “It was tragedy on an island where tragedy is no stranger,” writes the author. When Chika arrived at the orphanage, she was only 3, but she quickly became a leader among the children. When she was diagnosed with an aggressive brain tumor, a condition the neurologist in Haiti said could not be treated there, Albom and his wife brought Chika into their Michigan home and sought out the best treatment they could find. When those treatments failed, they traveled for two years to other countries for experimental procedures, anything that would prolong Chika’s life. In addition to his own viewpoint, the author narrates the story by imagining what Chika was thinking and feeling. As Albom makes clear from the start, Chika did not survive her condition (she died in 2017 at age 7); his writing about this journey is unadorned, heartwarming, and rarely maudlin. He shares his joy at becoming a father to this vivacious child, his fears as he reintroduced Chika to her biological father, and the pain and sorrow he felt when she died. He marvels at the relationship Chika had with his wife and shares his amazement that Chika so readily connected with other adults. The takeaway from this simple, moving memoir is that love has no boundaries and should not be hindered by ethnicity, religion, education, or money.
A highly expressive, tender story about how “families are like pieces of art, they can be made from many materials.”Pub Date: Nov. 5, 2019
ISBN: 978-0-06-295239-4
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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