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CARTIER'S HOPE

Smart, fierce, lovely, and intricate.

A crusading Gilded Age journalist makes a soul connection with a jeweler, who unwittingly helps her leverage the mystique of the Hope Diamond as she fights for justice.

New York heiress Vera Garland has a secret: She’s also the popular female journalist Vee Swann, a secret identity she maintains through a no-nonsense disguise and backstory that depends on her living in a significantly less upscale part of town than her family. She feels it’s necessary to stay in touch with the stories of the day, especially those that deal with tenements, immigrants, and the struggles of the less privileged, including working women. Her mother disapproves of her work, so Vera depends on the love and approval of her father, Granville Garland, owner of a Fifth Avenue emporium. Going undercover in a tenement, Vee befriends a young neighbor, but when the girl falls ill and Vee offers to pay for a doctor, the child’s drunk, enraged father throws her down a stairway. Severely injured and emotionally wounded by the child’s death, Vera moves into the beautiful Tiffany-designed penthouse apartment above her father's store. She is just beginning to feel herself again when her father dies from a heart attack. Vera inherits the apartment and, in clearing out his things, discovers a letter that makes her realize her father had deep secrets, including a love affair with a man that predated his marriage. She suspects he died of a broken heart since his lover committed suicide to protect them both from a blackmailer. Meanwhile, the Hope Diamond has come to New York, residing in Cartier’s Fifth Avenue shop. Vera suspects Cartier is playing up the jewel's dramatic history to try to increase its value. She effects an accidental meeting with Jacob Asher, an enigmatic jeweler whose renowned family was decimated in the Russian pogroms and who now works with Cartier. When the two become close, she blurs the lines between her professional and personal lives, gaining information from their relationship that reflects badly on Cartier in order to expose her father's extortionist. When justice is served, however, Vera must decide what she’s willing to fight for in her personal life. Rose’s newest title is complex and compelling, with many threads of history, plot, and character that weave together into a bold, satisfying tapestry. Along the way, she touches on issues society still faces: power, privilege, anti-Semitism, women’s sexual, social, and professional rights, and the never-ending struggle for tolerance and equality.

Smart, fierce, lovely, and intricate.

Pub Date: Jan. 28, 2020

ISBN: 978-1-5011-7363-9

Page Count: 334

Publisher: Atria

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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